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A compass is useless; also trying to take directions from the movements of the sun, which are erratic; and words here are as pointless as calling in a vacant wilderness.
Whatever I do I must keep my head. I know it is easier for me to lose my way forever here, than in other landscapes Margaret Atwood Margaret Atwood is better known as a Canadian author of books rather than a poet.
She is a prolific writer and very creative so it is interesting to look at this poem. S1 … This is obviously an internal journey within contrasted with travelling in the external environment. Well, to get to know yourself — who you really are — is perhaps a difficult and endless task.
But this is the start of the journey so, hopefully, the country will improve with travel. It is interesting that the cliffs cannot be seen for what they are except at a very base level. S2 … Destination is unknown except to be vague as a dotted line between points on a map. The endless light and dark could relate to both day and night as well as emotional highs and lows.
I guess when we start any internal search we have little idea of what might be revealed … and again it is a difficult journey to untangle. S3 … It is the small details in life that have internal effect.
Small details can absorb much of our thinking if they have sufficient deep association. White mushrooms are immature mushrooms and a paring knife is used to peel fruit to make it edible.
What significance these hold for the poet is not known.
You could of course liken the personal journey to that of fruit being made acceptable. S4 and S5 — this search for self is circulating into deep depression to the extent of self-danger. The poet knows within of this danger — ironic self knowledge given the circumstances.
There is a cry for help.It contains a zealous German professor, a wet blankety nephew, a monosyllabic Icelandic duck farmer, a few myopic Godzillaesq dinosaurs, a prehistoric Sheppard and a delightfully ludicrous ending that reads like a diary of a very slow log flume. The poem is a monologue, the apt form for introspection.
It is a metaphysical poem with the recurring motif of ‘journey’ that Atwood explores in other works like Surfacing.. The interior referred to here is the psyche of the poetess. These stanzas, one of similarities juxtaposed with the differences between a physical discovery and an introspective one.
The usage of colloquial language and lack of formal poetic techniques.
Apr 28, · Journey to the Interior April 28, · by Tereza Stehlikova · in journeys, landscape, senses. “Descend, bold traveller, into the crater of the jökull of Snæfell, which the shadow of Scartaris touches before the Kalends of June, and you will attain the centre of the earth.
Journey to the interior essaysText 4; 'Journey to the Interior' by Margaret Atwood This poem is written in free verse and presents a multi-dimensional exploration of the concept of journey. Some read it merely as a description of a physical journey that describes the early exploration of.
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